On Saturday, the Rock Hall issued a brief statement to the press: "Jann Wenner has been removed from the board of directors of the Rock & Roll Hall of Fame Foundation."

That announcement followed a wild 36 hours since a New York Times interview was posted where the Rock Hall co-founder and 2004 inductee made comments that were dismissive of Black and women artists.

Here is the exchange in the interview which led to the controversy:

There are seven subjects in the new book; seven white guys. In the introduction, you acknowledge that performers of color and women performers are just not in your zeitgeist. Which to my mind is not plausible for Jann Wenner. Janis Joplin, Joni Mitchell, Stevie Nicks, Stevie Wonder, the list keeps going — not in your zeitgeist? What do you think is the deeper explanation for why you interviewed the subjects you interviewed and not other subjects?

Well, let me just. …

Carole King, Madonna. There are a million examples.

When I was referring to the zeitgeist, I was referring to Black performers, not to the female performers, OK? Just to get that accurate. The selection was not a deliberate selection. It was kind of intuitive over the years; it just fell together that way. The people had to meet a couple criteria, but it was just kind of my personal interest and love of them. Insofar as the women, just none of them were as articulate enough on this intellectual level.

Oh, stop it. You’re telling me Joni Mitchell is not articulate enough on an intellectual level?

Hold on a second.

I’ll let you rephrase that.

All right, thank you. It’s not that they’re not creative geniuses. It’s not that they’re inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest. You know, Joni was not a philosopher of rock ’n’ roll. She didn’t, in my mind, meet that test. Not by her work, not by other interviews she did. The people I interviewed were the kind of philosophers of rock.

Of Black artists — you know, Stevie Wonder, genius, right? I suppose when you use a word as broad as “masters,” the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn’t articulate at that level.

How do you know if you didn’t give them a chance?

Because I read interviews with them. I listen to their music. I mean, look at what Pete Townshend was writing about, or Jagger, or any of them. They were deep things about a particular generation, a particular spirit and a particular attitude about rock ’n’ roll. Not that the others weren’t, but these were the ones that could really articulate it.

Don’t you think it’s actually more to do with your own interests as a fan and a listener than anything particular to the artists? I think the problem is when you start saying things like “they” or “these artists can’t.” Really, it’s a reflection of what you’re interested in more than any ability or inability on the part of these artists, isn’t it?

That was my No. 1 thing. The selection was intuitive. It was what I was interested in. You know, just for public relations sake, maybe I should have gone and found one Black and one woman artist to include here that didn’t measure up to that same historical standard, just to avert this kind of criticism. Which, I get it. I had a chance to do that. Maybe I’m old-fashioned and I don’t give a [expletive] or whatever. I wish in retrospect I could have interviewed Marvin Gaye. Maybe he’d have been the guy. Maybe Otis Redding, had he lived, would have been the guy.

Wenner may not have "given a fuck," but the Rock & Roll Hall of Fame clearly did. Since 2020, under chairman John Sykes, the Hall of Fame has been trying to repair their "all-boys club" reputation that was forged under Wenner, His comments were clearly incendiary enough for them to sever the last remaining ties to their founder. (The Board vote was reportedly unanimous with the exception of longtime Nominating Committee chairman Jon Landau.)

Wenner's other institution, Rolling Stone, also tried to distance themselves from his comments:

Rolling Stone co-founder Jann Wenner has been ousted from his position on the Board of Directors of the Rock & Roll Hall of Fame Foundation. The news was announced on Saturday, following an interview with The New York Times, where he made widely criticized comments about Black and female musicians, alongside revealing other questionable editorial decisions.

Wenner is promoting his book, The Masters, which features interviews with influential artists, such as Bob Dylan, Mick Jagger, Pete Townshend, John Lennon, and Bruce Springsteen — none of the artists featured are female or non-white. In the Times interview with Wenner that published on Friday, he said that Black and also female musicians “didn’t articulate at the level” of the white male musicians in his tome.

…

Beyond the controversial comments about the artists that were and were not featured in The Masters, he also revealed during the interview that he allowed interview subjects to edit transcripts of their interviews prior to publication, which is not an accepted editorial practice and Rolling Stone does not allow interviewees to approve transcripts or final copy.

After being fired from the Rock Hall's Board of Directors, Wenner released an apology, “I totally understand the inflammatory nature of badly chosen words and deeply apologize and accept the consequences."

Those "badly chosen words" now provide the necessary context for understanding Wenner's legacy at the Rock & Roll Hall of Fame and beyond.