Incoming Rock & Roll Hall of Fame chairman John Sykes has been in open in interviews that he is looking to evolve the institution to keep it relevant. This website has chronicled many issues the Rock Hall has faced over the years that haven’t been addressed:

• Underrepresentation of nearly every genre of music among its inductees.
• Skepticism by fans and artists over the fairness and propriety of the induction system.
• Lack of diversity and conflicts of interest among the decision makers at the Rock Hall.
• The mishandling of inducted artists, which led to animosity and refusals to appear or perform at the Induction Ceremony.
• Unclear rules which get changed without logic or explanation.

Many of us who follow the Rock Hall have come up with a number of proposals which could help solve their chronic issues.

1. Address the Backlog: This, more than any other issue, is the heart of the problem. The current induction system, which only inducts between five and seven performers each year, has produced a lengthy list of artists who are arguably worthy of induction, but can’t break through. Every year in which more worthy artists become eligible than are inducted, the list just gets longer. By arbitrarily limiting the number of inductees, the Hall created a system where it is guaranteeing that worthy artists will never get a chance to be honored. The Rock Hall is currently at the bottom of a hole they have been digging for over 20 years. They’re not going to get out of it by increasing the number of annual inductees by one or two per year. More creative measures are needed. Some potential solutions:
   • On the Hall Watchers podcast, Eric and Mary proposed moving the ceremony to a two night event which would allow the Hall to induct more artists without compromising the induction ceremony format. For its 25th anniversary, the Rock Hall staged a two-night all-star concert at Madison Square Garden, so they have some experience with that format.
   • The Hall could also move to a system of themed induction classes, where a dozen artists could be enshrined around a common theme.
   • This upcoming ceremony will be the Rock Hall’s 35th, which provides an opportunity for the Rock Hall to have super-sized classes every five years.
   • Change the entire ceremony structure to allow for large induction classes. This would require shorter speeches and performances, but it would give the Rock Hall flexibility to induct significantly larger classes.

   A change like this can’t happen without upending the expectations of what a Rock Hall induction looks like (but again, this is the hole that the Rock Hall dug itself).

2. Create a Veteran’s Committee: Years ago, Tom Lane offered up this proposal modeled on other Sports Halls of Fame which have a system meant to catch worthy inductees who were left behind for one reason or another.

   As John Sykes takes steps to keep the Rock Hall up with the times, it would behoove them to create a new category that fills in the historical gaps in the rock and roll canon. The Rock Hall has been trying to play catch up for 35 years now, and there are still foundational artists who can’t even get nominated, and it’s not even at the expense of newly eligible artists who also can’t get on the ballot.

3. Listen to Criticism: Over the past year, much of the conversation about the Rock Hall has revolved around the underrepresentation of women. Instead of taking a dismissive attitude about the issue, listen to your critics and engage in the conversation. Take the opportunity to improve your institution and create some goodwill with the public. Burying your head in the sand isn’t going to work.

4. Become Transparent: The Hall has been proudly opaque since its inception which has led to conspiracy theories and allegations of corruption and conflicts of interest. The Hall could turn that around under its new leadership by publishing their rules, providing independent accounting of votes (or publishing the numbers), reveal the members of the Nominating and Voting Committees, and making those in charge available to the media. As non-profit entities, the Rock Hall Foundation and Museum should have a minimum amount of transparency about the core functions that support their mission.

5. Stop the secret inductions: We highlighted a couple of examples of artists who were quietly inducted after the fact. This type of behavior creates distrust with the public and doesn’t properly honor those who get inducted.

6. Eliminate or Fix the Singles Category: A lot has already been written on this subject, so we won’t rehash it here, but it’s unwise to create Rock Hall categories that don’t have a clearly defined purpose and are left to the whims of one individual.

7. Term Limits for Nominating Committee Members: The Country Music Hall of Fame utilizes a system where Nominating Committee members are appointed to three year terms. Each year, one third of the members get replaced. After serving out their term, members are eligible to return for another three years, but only after sitting out for at least one term.

   While there would be some institutional knowledge lost in this system, it would greatly increase the number and diversity of voices in the room. Members who distinguish themselves would be invited back after three years, while others would just be let go.

8. Rethink the Voting Committee: There has always been a tension between the will of the Nominating Committee and the results produced by the 1000 or so members of the Voting Committee. The NomCom nominates worthy artists over and over and yet they keep getting bypassed by the voters. While it seems fair on the surface, a system where each inductee automatically becomes a voter has created a population of voters who tend to favor artists closest to themselves, which magnifies the imbalance. One way to improve the system would be to give inductees with multiple members a fraction of a single vote. So each member of The Cure would get 1/10th of a vote as opposed to the 10 votes they currently get. By minimizing the voting power of large bands, it would provide a more representative power to each solo inductee.

9. Change the Voting System: With the significant backlog of worthy artists, getting on the Rock Hall ballot is an achievement unto itself. Why not expand the list of artists who meet that threshold by greatly expanding the number of nominees well past the 15-20 that have been nominated in recent years? There is a lot of frustration from the Nominating Committee about not wanting to put forward similar artists in the same year, but a ballot of 50 names would open up a new world of possibilities. Likewise, when the Voting Committee gets the ballot, allow them to vote for as many Hall of Fame worthy artists as they like. Currently they are restricted to voting for only five, which creates strategic voting that leaves clearly worthy artists on the outside. There are so many different ways to vote that are superior than the current system, the Rock Hall should start experimenting immediately. (The Hall should consult with inductee Krist Novoselic, who has been an advocate for proportional representation in politics.)

10. Give the Fan Vote some actual power or just eliminate it: The Hall of Fame seems to love the fan engagement from the online fan poll, but most fans have no idea how little it (officially) matters in the actual tally (the fan vote is cumulatively about 0.1% of the total ballots). Provided the Rock Hall can stage an online poll that can’t be rigged, the results should at least be worth 5% of the total. Otherwise you’re just taking advantage of passionate fans’ time.

There are many other ways that the Rock Hall could be improved, but the most important thing for John Sykes is to just get started.